Sharing their giftscomment (0)
January 6, 2005
Warm walls, wood floors and generous lighting set the stage for simply framed photographs spaced precisely about the room. People, plates of finger food in hand, circle the exhibit while a string ensemble and keyboard play beneath the murmur of quiet conversation.
It could be a Saturday night gallery opening in the art district of many American cities. But this isn’t New York or San Francisco or Dallas — it’s Temple, Texas. And the gallery isn’t in an art district, but in downtown Temple’s First Baptist Church.
Still, it is an opening in the truest sense, with all the scramble of a new enterprise featuring the work of an internationally known artist.
Called The Great Commission Gallery, this is a new ministry for First, Temple, and it’s the first exhibit related to the church’s Fellowship of Christian Artists. The Nov. 20 event focused on the photography of Don Rutledge, whose work documented Southern Baptist missions efforts across the globe for more than 25 years.
The idea for the gallery began last year while First, Temple, member Linda Schuchmann was reading Rick Warren’s book, “The Purpose-Driven Life.” Schuchmann is a painter but had become involved in other ministries and it had been years since she applied paint to canvas.
“That book helped me to realize the gift of art God had given me had to be used,” Schuchmann said. So she began painting again.
It was at the beginning of 2004, just after the Christmas season, and she began working with an idea for expressing joy. She chose her colors — “beautiful colors,” she said — and in abstract expression, began spreading them on canvas, swirling and mixing them. When she finished, there in midst of an expression of joy she suddenly saw the flames of Pentecost. It tied feelings for the birth of Christ with the beginning of the spread of His gospel throughout the world.
“I had not intended to paint flames of fire,” she said. “They were just there. I thought: I’ve got to share this with someone.”
A discussion with Doug Young, minister of education and administration at the church, led to setting up a small display of the painting along with several other pieces of Schuchmann’s art in his office. When she returned to collect them, Schuchmann got unequivocal affirmation from member after member of the staff. “Go for it, they said. Find a way to share this work.”
That desire quickly evolved. Schuchmann began seeking a way to help other Christian artists share their work.
In March, the first meeting of Fellowship of Christian Artists was held at the church. There are now 25–30 artists involved. They meet monthly and chose as their mission statement: “Drawing all people to Christ.”
They usually meet in homes. At each meeting, an artist gives a testimony and makes a presentation of his or her work.
“We have little children attend too,” Schuchmann added. “We’re encouraging them in their development as artists.”
Early on, the fellowship began talking about holding an exhibit, and they quickly settled on Don Rutledge’s photography. “We had to have Don,” said photographer Nan Dickson. “The work is beautiful, it’s missions-related. It was a no-brainer.”
“In a sense we had to have an exhibit before we had a gallery,” Schuchmann said. “The gallery wasn’t a gallery, it was just a room.”
That room — the future gallery space — was created when renovations opened a new passage connecting the sanctuary with one of the educational buildings.
It appeared to be of little functional value. It was dark. The carpet was stained and dingy. The walls needed painting.
With an open entrance at each end, it was essentially a large, open hallway.
When the church offered the space to the fellowship and offered to paint it and replace the carpet, “We were thrilled,” Dickson said.
“The closer the exhibit came, the more church members became involved,” she continued. When the old carpet was removed, the wood flooring was discovered. The church agreed to refinish it, install a new ceiling and add track lighting. Signage was donated. The result is a first-class gallery space.
On the same weekend First, Temple, kicked off its Lottie Moon Christmas Offering effort, the gallery opened. The exhibit drew people from the community, students from the local university and college, photographers and friends of Rutledge, and missionaries he photographed during his 15 years with the Foreign Mission Board — now International Mission Board (IMB) — and his 10 years with the North American Mission Board.
He and his wife, Lucy, could not attend for health reasons. But Rutledge’s son, Mark, and daughter-in-law, Peggy, IMB missionaries to Haiti, and granddaughters Shannon and Abigail were there.
The crowd wandered among the 20-plus prints, including images from Rutledge’s missions coverage across the globe — South America, Asia, Africa, Europe, inner-city America, rural Alabama and Alaska — as well as several prints produced for John Howard Griffin’s 1950s groundbreaking and controversial book on civil rights, “Black Like Me.”
“It all came together,” Dickson said, “the Lottie Moon Christmas Offering Promotion, Mark and Peggy being stateside. It all came together.” (BP)